And this is what I bought the pot for.
The Village-Linden in her new home.
Imho a very well-made pot.
Not only the professional craftsmanship
but the artistic modality as well.
Welcome to my blog.
This blog will show the development of some of my raw-material-yamadoris.
I am a fool for linden, but I also like to work with other native species as well ...
Monday 13 March 2017
Sunday 12 March 2017
new_pot_for_old_tree
Finding a handcrafted bonsai-pot bigger than 50 cm can be a real task.
Most of the potters (in Germany?) prefer to produce pots with not more than
40-45 cm.
The reason for that may be the technical difficulties relating to the
handling of large pots (size of kiln e.t.c.). the waste-rate is very high.
Additionally the demand of small and medium sized pots is higher.
Anyway, I was lucky enough to find a pot for my big linden.
The german bonsai-potter Walter Venne created this masterpiece.
Dimensions: 56,5 x 42,5 x 13,0 cm.
Most of the potters (in Germany?) prefer to produce pots with not more than
40-45 cm.
The reason for that may be the technical difficulties relating to the
handling of large pots (size of kiln e.t.c.). the waste-rate is very high.
Additionally the demand of small and medium sized pots is higher.
Anyway, I was lucky enough to find a pot for my big linden.
The german bonsai-potter Walter Venne created this masterpiece.
Dimensions: 56,5 x 42,5 x 13,0 cm.
Sunday 5 March 2017
another_linden_friend
Today my bonsai-buddy André gave me once again the honour of a visit.
He helped me to get my pots on the shelfs. Thank you my friend!
After work had been done we took some shots of his Tilia Cordata in my improvised
photo-studio. A very cool tree with an unconventional character.
Among all the pictures there were two, wich (imho) kind of mirrored the spirit of Bonsai according
to the dialog with the tree ...
He helped me to get my pots on the shelfs. Thank you my friend!
After work had been done we took some shots of his Tilia Cordata in my improvised
photo-studio. A very cool tree with an unconventional character.
Among all the pictures there were two, wich (imho) kind of mirrored the spirit of Bonsai according
to the dialog with the tree ...
Sunday 26 February 2017
brook_elder_development
Just for archive,
an update of the Elder after some further designing.
The job of Nov. 16 now done in Feb. 17.
- the aim is to promote the main branches to becom similar knotty as the trunc
- repotting in mid or end of March. 'don't like the position within the pot
- therefore the guy-wires are fixed to the trunc itself.
I can lift out the tree and repot it without loosing the branches positions.
There won't be left any scars from the anchor-srews ...
an update of the Elder after some further designing.
The job of Nov. 16 now done in Feb. 17.
- the aim is to promote the main branches to becom similar knotty as the trunc
- repotting in mid or end of March. 'don't like the position within the pot
- therefore the guy-wires are fixed to the trunc itself.
I can lift out the tree and repot it without loosing the branches positions.
There won't be left any scars from the anchor-srews ...
Thursday 27 October 2016
Prunus Mahaleb update
Based on this particular tree I begin to become clearer to the fascination of
developing raw-material.
It is a matter of decisions. I like to make (designing-)decisions!
And I have to do alot of decision at that stage of development.
The wild-cherry before selection of branches :
developing raw-material.
It is a matter of decisions. I like to make (designing-)decisions!
And I have to do alot of decision at that stage of development.
The wild-cherry before selection of branches :
Monday 17 October 2016
prunus_carving
Hello again.
An example-case of carving on a Prunus Cerasifera with the untouched viewing side
before "the grind" and afterwords.
The tree itself is not a cracker-one, 'just an object of trial.
It had a dry truncpart from the base untill the top.
First I removed the dry bark with a coarse steelbrush in a powertool.
Then I did the carvings.
The wood of Prunus-species is nice to carv. 'Quiet hard and good to be bleeched with
lime-sulphur.
The design is not finished yet. The whiteness of the sublime parts is too unnatural bright,
but time and wether will give a humble patina to that.
'Hope you enjoy ...
An example-case of carving on a Prunus Cerasifera with the untouched viewing side
before "the grind" and afterwords.
The tree itself is not a cracker-one, 'just an object of trial.
It had a dry truncpart from the base untill the top.
First I removed the dry bark with a coarse steelbrush in a powertool.
Then I did the carvings.
The wood of Prunus-species is nice to carv. 'Quiet hard and good to be bleeched with
lime-sulphur.
The design is not finished yet. The whiteness of the sublime parts is too unnatural bright,
but time and wether will give a humble patina to that.
'Hope you enjoy ...
Friday 14 October 2016
Project_Thuja_Occi. + Virtual
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